The Set Up: Creating dream-like portraits with the Nikon Z5II and Rafaelle Lorgeril

Rafaelle LorgerilPortraits23 feb 2026Leestijd: 3 min
Nikon magazine - The Set Up

Enter the dreamworld of Paris-based photographer Rafaelle Lorgeril and observe the Nikon Z5II at work in episode two of The Set Up

“How do you make a model interact if a studio backdrop is visually uninspiring? The answer? I design and build the set myself!” says Paris-based portrait photographer Rafaelle Lorgeril who, bored of basic backgrounds and shop-bought set-ups, draws on her lifelong love of art to create bespoke backdrops that reject the ordinary and celebrate the otherworldly. “Photography captures the world as it is, so through scenography, post-production, unreal sets and colour grading, I can add a little extra to what already exists.”

 

Tasked with using the Nikon Z5II for an indoor portrait session, Rafaelle follows her usual approach, designing and building her set, which on this occasion is cloaked in fabric awash with broad, abstract swathes of moody colour, from forest green and marine blue to woody ochre and burnt terracotta. “I’m fascinated by painting, texture, blur, colour and the way light is shaped, elements that allow reality to merge with something less visible,” she expands. “So no matter how many ideas I bring to life, I always like to hover between these two worlds.”

Nikon magazine - The Set Up

Z5II + NIKKOR Z 24-70mm f/4 S, 50mm, ISO 400, f/6.3, 1/6 secs, ©Rafaelle Lorgeril

Within this dreamlike environment, model Issa moves between two contrasting looks, first a modern, steampunk-tinged take on Dickensian street styling, then a softer, doll-like aesthetic defined by an oversized white silk bow and billowing top. “I’m a photographer who loves working outdoors, so the studio is always a challenge for me,” says Rafaelle. “So finding creative solutions is essential for making my ideas come to life. And when you combine this with the styling, it also gives the model a sense of character.”

 

Whether working in the studio or outdoors, the visual artist says that first and foremost she needs a camera that can keep up with her pace. “I am very dynamic, and the weight of my gear is a crucial factor for me – it should never slow down my creative impulses,” she says. “The more compact and lighter it is, the better. It needs to allow me to remain fully immersed in the creative process, and the Nikon Z5II does that. I really enjoy working with it because it’s both ergonomic and lightweight, while still offering excellent performance.”

Nikon magazine - The Set Up

Z5II + NIKKOR Z 24-70mm f/4 S, 70mm, ISO 400, f/6.3, 1/6 secs, ©Rafaelle Lorgeril

Like many photographers, Rafaelle uses the rear screen to compose images, so she takes full advantage of the Nikon Z5II’s fully articulated touchscreen. “It allows me to stay aware of what’s happening around the scene while directly comparing it with what the camera is capturing,” she explains. “I feel like I’m holding both realities in parallel, which gives me better control over the final image. When my eye is in the viewfinder, I feel too disconnected from the outside world.”

 

Switching between the NIKKOR Z 24-70mm f/2.8 S for closeups and wider compositions, and the NIKKOR Z 85mm f/1.2 S for its creamy bokeh, Rafaelle remains highly attuned to the role light plays in shaping her images. “When it comes to lighting, I pay close attention to the positioning of my subject,” she says. “Where is the light coming from and how should it be placed to reveal what I want to express? It’s all about observation and composition.”

Nikon magazine - The Set Up
Nikon magazine - The Set Up
Z5II + NIKKOR Z 24-70mm f/4 S. Left/above: 35mm, ISO 400, f/6.3, 1/6 secs, ©Rafaelle Lorgeril. Right/below: 70mm, ISO 400, f/6.3, 1/125 secs, ©Rafaelle Lorgeril

That sensitivity to light and composition also feeds directly into how Rafaelle uses colour to shape mood, with this session seeing her lean into cooler tones. “As with my painting, I don’t hesitate to experiment with tones that go beyond realism in order to elevate everyday scenes,” she explains. “I used to work more with warmer tones, but I’ve naturally shifted towards other colour palettes over time. I really enjoy creating my own Nikon Imaging Cloud recipes because they allow me to extend my artistic intention directly into the image-making process. Rather than seeing colour and rendering as something that only happens in post-production, these recipes help me establish a visual atmosphere from the very beginning. The recipes I’ve developed play with muted contrasts, subtle desaturation and cooler tonalities, while preserving softness in skin tones. They create a slightly suspended, almost timeless feeling, sitting somewhere between realism and imagination. Recipes are a great way of better understanding colour and light, and I’d encourage any photographer to give them a try.”

Nikon magazine - The Set Up

Z5II + NIKKOR Z 24-70mm f/4 S, 70mm, ISO 400, f/6.3, 1/125 secs, ©Rafaelle Lorgeril

Beyond technique and tools, Rafaelle is equally generous when it comes to sharing her creative philosophy. As a Nikon Creator, she often returns to what she calls the four Ps: practice, patience, personality and passion. “No matter the field, you need to understand the fundamentals before deconstructing them to experiment, even abstract painters begin with classical training,” she says. “Once technique is mastered, you can go anywhere. Patience is just as important. A style doesn’t develop overnight – it grows over time and feeds on everything we live, hear and observe. Preserving your personality is essential when developing an artistic voice. Art is intimate, it’s an inner sensation you want to express outwardly, not a response to a brief. And, finally, passion is the element that binds everything together, guided by one thing: the heart.”

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Episode 2: The Set Up with Rafaelle Lorgeril

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